● Merged image description:                                                                 
                                                                                            
  Close crop, portrait orientation. The face fills most of the frame, tilted slightly back, 
  resting on an unseen surface. Real skin, warm-toned, with pores, with the fine texture of 
  a cheekbone catching sidelight. The palette is narrow: skin tones, off-white thread, dark 
  steel of the needle's curve, shadow.                                                      
                                                                                            
  The eyes have been sewn shut already. Three or four neat stitches across each eyelid,     
  thread pulled snug, knots small and tidy. The blood at each puncture point has dried to   
  dark rust-brown, hours old or longer; the skin around the entry points is slightly raised 
  the way a fresh piercing swells. Dried blood sits in the creases of the eyelids like old  
  tears that took a wrong color. These stitches are settled. The body has started to accept 
  them.                                                                                     
                                                                                            
  The mouth is the current work, two-thirds complete. The stitch line runs from the left    
  corner toward the right; the earliest stitches have darkened and crusted, the middle ones 
  still glisten, and at the current puncture site a bright bead of fresh blood catches the  
  light. A thin trail has run down the chin from one of the middle stitches, still wet      
  enough to reflect. The thread carries a faint pink stain between stitch points from       
  passing through tissue. The remaining open gap at the right corner of the mouth is small, 
  just enough to see darkness between the lips.                                             
                                                                                            
  One hand enters frame from the upper right, holding the curved needle between thumb and   
  forefinger, poised for the next stitch, thread trailing to the last entry point in the    
  lower lip. The hand is steady, unhurried, clean, nails trimmed, no rings, no gloves. A    
  bare hand doing careful work on a human face with the composure of someone hemming a      
  curtain.                                                                                  
                                                                                            
  Lighting is soft, directional, from upper left. It catches the curvature of the sewn      
  eyelids and the shine of wet blood on the lip. The shadow side of the face falls to       
  darkness. No background detail.                                                           
                                                                                            
  The face beneath the stitches is still, not struggling. The chronology is legible: the    
  eyes were done first, given time to clot, and the person didn't resist because they could 
  still speak, could still ask what was happening, could still be told a reason. Now the    
  mouth. The hands have not rushed. They sewed the eyes shut, waited for the bleeding to    
  stop, then moved to the mouth.                                                            
                                                                                            
  ---                                                                                       
  Fonts with a military/intelligence register:                                              
                                                                                            
  DIN 1451 / DIN 2014: the German industrial standard typeface, used on road signs and      
  military equipment across NATO. Clean, geometric, no-nonsense. The condensed weight works 
  well for titles.                                                                          
                                                                                            
  Univers: Adrian Frutiger, used extensively by NATO and various defense ministries. More   
  refined than DIN, same authority. The 59 Ultra Condensed weight is particularly good for  
  covers.                                                                                   
                                                                                            
  Eurostile / Eurostile Extended: square-jawed geometric sans, the font of every Cold War   
  control room set in cinema. Bold Extended is the classic weight. Reads as institutional   
  surveillance.                                                                             
                                                                                            
  Maax: contemporary grotesque with a slightly narrowed proportion that reads as technical  
  documentation. Used by several defense contractors' publications.                         
                                                                                            
  Knockout: Hoefler & Co, a sans-serif family with 32 weights ranging from flyweight to     
  heavyweight. The heavier condensed cuts have a declassified-document authority to them.   
                                                                                            
  Roboto Condensed: free, clean, has the feel of a modern intelligence briefing template.   
  Less character than the others but highly legible at small sizes.                         
                                                                                            
  For the subtitle and body text on the cover, something like Plantin, Times Ten, or Charter
   would contrast well against any of the above; the serif reads as "document" against the  
  sans-serif's "institution."